Métamorphoses of Un Été Au Havre is an annual meeting place for meetings and exchanges on the presence of art in the evolution and transformation of public space. In resonance with the summer program, Métamorphoses invites women and men artists, architects, decision-makers, researchers, designers... to share with the public their vision of the city of tomorrow and the evolution of today's. Based on analyses or presentations of completed, future or even utopian projects, each speaker presents his or her thoughts, actions and commitment, in a format that does not exceed 1 hour.
Anchored in Le Havre, Métamorphoses is a laboratory of urban forms where the city asserts itself as a fertile ground for new experiences.
Open to all audiences, subject to availability, Métamorphoses is a free event whose speeches can be found on the Un Été Au Havre website, as well as on social networks.
Can a neglected material become a material of the future? Clarisse Merlet will show how an individual initiative, driven by perseverance and developed step by step, can create tangible impact.
Clarisse Merlet was born in 1991 in La Roche-sur-Yon, in Vendée. After earning a dual bachelor’s degree in fine arts and architecture, followed by a Master’s degree in Architecture (DE), she became aware during her studies of the ecological excesses of a highly polluting and energy-intensive industry. At the end of 2018, she founded her own company, FabBRICK, now based in Paris’s 19th arrondissement. With a team of eleven employees, she transforms discarded clothing and textile offcuts into materials for design and architecture.
Today, FabBRICK represents a 400 m² production workshop, more than 450,000 bricks manufactured, over 80,000 kg of textiles recycled, 11 jobs created, more than 230 clients, and two inventor patents filed.
reconstructed city and its environment—particularly the coastal context, through the redevelopment of Le Havre’s seafront, of which he was a key contributor—Alexandre Chemetoff raises the question of boundaries and transitions, what Patrick Modiano calls “grey areas.” These are the open intervals within a project between what is already there and what is new. By shifting the focus of urbanism, architecture, and landscape design, he seeks to demonstrate, through concrete examples, how new possibilities for dialogue with reality can emerge.
Alexandre Chemetoff, an architect, urban planner, and landscape architect, has chosen to practice architecture in an open, free and committed manner. After combining professional practice with teaching, he decided, at the beginning of the 21st century, to devote himself exclusively to professional work, giving it a holistic dimension, with each project exploring new realities. His body of work was recognized with the Grand Prix de l’Urbanisme, awarded to him in 2000.
He founded the Bureau des Paysages in 1983, bringing together architects, urban planners, and landscape architects. The practice puts into action the art of creating from the existing conditions of places and things, producing built situations that are both vibrant and livable. Among their major achievements are the transformation in Nancy of the two largest housing “slab blocks” in France; the delivery of a major mixed-use program of offices, workshops, housing, and retail on the Île de Nantes—a project awarded the Équerre d’Argent in 2025; the realization in Nice of Season 2 of the Promenade du Paillon, conceived as an open-air cultural facility; and the redevelopment of Place Denfert-Rochereau in Paris, which, adorned with its new features, will soon take its place among the great public squares of the capital.
Villa Hegra is a cultural institution born out of the friendship between Saudi Arabia and France. Dedicated to promoting intercultural exchange, Villa Hegra offers residency programs for artists and researchers and serves as an open platform for creativity and education. Fériel Fodil will in particular explain how this new institution fosters links between the local community of AlUla and international audiences.
Fériel Fodil has been the Director General of Villa Hegra, a cultural institution based in AlUla, since February 2023. Prior to joining Villa Hegra, she worked at the Château de Chantilly from 2016 as Deputy Director General, after initially serving as Chief Financial Officer. Before that, Fériel oversaw all financial and strategic planning aspects for the pre-opening phase of the Abu Dhabi Cultural District in the United Arab Emirates. She began her career as an auditor at PricewaterhouseCoopers in Paris and Washington, D.C. Fériel is a graduate of ESCP, a leading French business school.
In the age of the “Seculocene,” and drawing in particular on work developed within the Anchoring Acts studio at the Harvard Graduate School of Design, Meriem Chabani explores practices of care, preservation, and transmission—often marginalized in Global North contexts—that can become drivers of sustainable urban ecologies. She will invite us to consider the role of architecture as a mediator between soils, bodies, and narratives.
At the intersection of architectural practice and research, Meriem Chabani explores the social, political, and economic dynamics that shape territories and their architectures. Her work on complex sites includes the Swann Arr Cultural Center in Myanmar, the Globe Aroma art center for refugees in Brussels, and a future mosque in Paris. She currently teaches at the École d’Architecture Paris-Malaquais – PSL (France) and at the Harvard Graduate School of Design (USA).
Her projects have been presented at the Venice Biennale, the Lagos Biennale, the Istanbul Biennial, the MAXXI Museum, and the Oslo Triennale. Frequently recognized for her work, she received the Europe 40 Under 40 Award in 2020, granted by the European Centre for Architecture and the Chicago Athenaeum. In 2023, AMC recognized her as one of the emerging female figures in the profession. In 2025, Le Monde named her among the cultural figures to watch.
Can an artist have a place in discussions about urban planning, even without being invited? And above all, why the bollard? Julien Berthier will present a selection of his projects that engage in dialogue with public space—somewhere between illegality and generosity—and will discuss his ongoing research into an object whose name we barely know, yet which is everywhere and almost invisible: the bollard.
Julien Berthier favors art as an intervention in the world rather than a statement about the world. By creating objects that are both hyper-realistic and yet fictional, and by confronting them with public space, he suggests that the world should not be left solely in the hands of specialists. The artist maintains a constant ambiguity in the works and situations he produces, offering us objects that are plausible—objects that could very well exist in the world we live in—along with their critique. Far from seeking to improve the world or to lecture others, he uses irony, understood as an act of feigned ignorance, to provoke questioning and to open up a broader reflection on our society.
From the Bains des Docks in Le Havre to the Shenzhen Opera House, each of Jean Nouvel’s projects reinterprets a site, reveals its potential, and profoundly transforms how it is perceived. His work reminds us that architecture is a powerful driver of transformation—of buildings, of their uses, and of the people who inhabit them or bring them to life.
Architect, Dominique Alba practiced for 18 years in a diverse independent professional career, followed by 20 years in the service of the City of Paris and Greater Paris. She began her career in 1982 at the Jean Nouvel agency, before leaving for Congo to co-lead a rural development program. After directing the Pavillon de l’Arsenal and then the Atelier Parisien d’Urbanisme, she has been serving as Director General of Ateliers Jean Nouvel since 2022.
Greater Paris residents have “lost” the Seine as a result of the industrialization of its banks, highways running along the river, and a mental disconnect that effectively stops the river at the city’s ring road. The Paris 2024 Olympic Games reopened a crack in the collective imagination by placing the Seine back at center stage—but mainly along its Parisian stretch. The centenary of Monet’s death in 2026 offers an opportunity to widen that crack all the way to the sea, by reminding us that the painter spent his life walking along and painting the Seine, from Argenteuil to Le Havre.
The project proposes “In Monet’s Footsteps” walks, 100% accessible by train, to reconnect metropolitan residents with the river’s 350 kilometers. The central idea: Notre-Dame faces west, and it is time for the people of Greater Paris to do the same.
Vianney Delourme is president and co-founder of the independent media outlet Enlarge Your Paris, which explores Greater Paris with a particular focus on culture, ecology, the social and solidarity economy, and leisure. He also organizes numerous events, including urban hikes along the future Grand Paris Express lines, the Transhumance of Greater Paris, Ménage ton canal, and the Rencontres de l’arbre.
Our cities seem doomed to an inescapable standardisation, bathed in a controlled, normalised and consumer environment. And yet, there are territories that sometimes escape the grip of political and economic powers. Wastelands, barren land, interstices... From these matrices embedded in our mineral worlds have sprung hip-hop and urban agriculture, as well as a host of artistic and social movements, cultivating a do-it-yourself spirit. Breaking with a certain urban order, poetic disorder flourishes, and certainly represents other ways of seeing and inhabiting the world.
An associate researcher at the Interdisciplinary Research Laboratory “Sociétés, Sensibilités, Soin” (Societies, Sensibilities, Care) (LIR3S) at the University of Dijon-Burgundy, Lagneau’s areas of study are urban/peri-urban agriculture and the socio-ecological transition of territories, particularly in working-class neighbourhoods. He is also a visiting lecturer at the Institut Agro Dijon and in the Master 2 Science de l’Education programme at the Université Paris Cité, as well as in a number of Masters programmes in France.
The Bureau des Guides brings together artist-walkers to work on the GR2013 hiking trail, which crosses 38 communes in the Aix-Marseille Provence Metropolitan Area over a distance of more than 365 km. Through various projects and activities such as walking in suburban areas and artistic exploration, developing a shared knowledge of places, the walkers explore the idea that storytelling can be a possible basis for building community and inhabiting our territory.
After a career in documentary film at FIDMarseille and with her production company Exocorpus, and having worked to support the performing arts at the regional agency Arsud, Noémie Behr joined the Bureau des Guides du GR2013 in 2020. She works on projects that are not only off-site, but also outside the box, with public policies in the Greater Marseille area (culture, transition, landscape, agriculture, social action, etc.).
Guillaume Aubry will be presenting a selection of recently completed projects that combine his expertise and experience as an architect and scenographer with his artistic, theoretical and visual research. He will focus in particular on our collective and intimate relationship with the landscape.
Guillaume Aubry was born in 1982. He lives and works in Paris and in Normandy. He trained as an architect, graduating from the University of Tokyo (with a Master’s degree) and the École Nationale Supérieure d’Architecture de Paris - La Villette (DPLG). Co-founder of the Freaks architecture and scenography firm, he is also a visual artist and researcher, with a degree from the Beaux-Arts de Paris (La Seine post-graduate diploma) and a doctorate in art (Radian programme).
Design des Territoires is a national programme in France dedicated to using design to support local and regional authorities. It operates on the principle of responding to issues specific to the environments in which it is deployed, in close collaboration with local stakeholders. Created in 2021 by the Ecole des Arts Décoratifs (Paris Sciences & Lettres) in response to a feeling that cultural policies were being abandoned, the programme is being developed under the impetus of the French Ministry of Culture, in six field schools covering six types of environment, from forestry to urban, mountainous to coastal.
A former student at the École Normale Supérieure, Emmanuel Tibloux was previously a teacher-researcher at the University of Rennes 2, then director of the Bilbao Institut Français, the Valence Ecole Supérieure d’Art et Design, the Saint-Etienne Ecole Supérieure d’Art et Design and the Lyon Ecole Nationale Supérieure des Beaux-Arts. He was also president of the ANdEA (French Association of Art Schools) between 2009 and 2017
Graduated of the School of Public Affairs at Sciences Po, Ariane Brioist combines a critical and sensitive approach, having worked on cultural policy issues for local authorities, public institutions and public interest bodies. Since 2022, she has been leading and coordinating the roll-out of the Territorial Design programme at the Ecole des Arts Décoratifs, with the aim of training today’s designers to meet the challenges of the future, while at the same time overhauling the principles and tools of territorial public action.
Although the presence of women in the architectural and urban professions is a sociological subject that has been well addressed and necessary, what about the city and architecture from a gender perspective? Can gender be reduced to the categories of people who use the city, or is it a lens through which we can observe and create the urban environment in new ways? For the past three years, we have been asking this question of the speakers at the “City through the Lens of Gender” series at the Cité de l’Architecture and, by working with architects, town planners, project managers, artists and organisations, we are looking at how this urban transformation can be put into practice in the 21st century.
Antonella Tufano is a professor at the University of Paris 1-Panthéon Sorbonne, attached to the ACTE research team, where she co-directs the Design, Arts, Media research area and is co-scientific director of the EFF&T-Experimenter, Faire, Fabriquer, Transmettre Chair (French Ministry of Culture). She holds a doctorate from the EHESS, with a thesis on the construction of landscapes, and has taught in architecture schools, after having been a Professor of Design in art and design schools run by the French Ministry of Culture. Since 2022, in collaboration with Fiona Meadows, she has been organising a series entitled “The City through the Lens of Gender” at the Cité de l’Architecture.
Mini Maousse is a micro-architecture competition created 20 years ago by the Cité de l’Architecture. Each year, a new generation of students, architects, landscape architects, artists and designers responds to a societal issue. The aim is to demonstrate that small-scale architecture can have a major impact and transform urban practices. The competition also explores the possibility that a hybrid object - at the crossroads of architecture and furniture - can transform public space and the everyday practices of city dwellers. A little architecture can go a long way!
Fiona Meadows, registered architect (DPLG), has taught at the Ecole Supérieure Nationale d’Architecture de Paris La Villette since 1994. She has been in charge of programmes at Ifa/Cité de l’Architecture et du Patrimoine since 1999, focusing on two themes: small-scale architecture and the laboratory for Africa. Fiona Meadows is also an exhibition curator (Les Maisons du Bonheur, Kinshasa Chronique, Et Vogue l’Architecture, Quand la Ville se Prend aux Jeux).
Nelson Pernisco has established a dialogue between the history of the Wonder Collective (2013 to present) and the working-class past of the Wonder battery factories (1914-1988). The aim is to explore how the players in these two stories, each in their own way, shared a collective experience of work and struggle, despite their different aims and contexts. Through this reflection, the artist aims to show how these intertwined stories have nourished and shaped his artistic practice over the last ten years.
Born in 1993 in Paris, Nelson Pernisco graduated from the Arts Décoratifs de Paris in 2017 and is co-founder of the Wonder collective, created in 2013. He creates installations and sculptures that combine architecture, the organic and the industrial, exploring transformations of materials. His works, which oscillate between poetic realism and fantasy, question the vestiges of our thermo-industrial civilisation by cultivating hybrid landscapes that are both mineral and living.
In 2023, as part of the “Perspektive” fund, the Office of Visual Arts is launching an architectural ideas competition aimed at young architects and urban planners living in Germany or France. For its first edition entitled GROWING VILLAGES – The future is not metropolitan, candidates were invited to design the village of today, or of the future. How can we think about the village of tomorrow by integrating environmental, cultural, economic and even mobility issues without reproducing the construction errors of large cities? As winner of the competition, Cécile Gaudard put forward a reappropriation of a mountain landscape modified by the Anthropocene era, adapting a ski resort into a place of cheese production.
Curator and author, Oriane Durand is head of the Office of Visual Arts at the French Institute in Germany. Having existed in Germany since 1996, the Office of Visual Arts raises awareness among the general public and supports players in the art world (institutional and sales) about contemporary French creation in the fields of visual arts and architecture. It also supports French exhibition curators through the Young Curators programme.
Cécile Gaudard is an architect and designer who recently graduated from ENSA Paris-Malaquais. In 2023, her project The Caretakers – An exploration on a traumatized landscapes won first prize in the GROWING VILLAGES – The Future is not Metropolitan ideas competition, awarded by the PERSPEKTIVE 2023 fund and the team from the Office of Visual Arts of the French Institute.
Why does such a major port back onto a relatively medium-sized city? Where does this dichotomy originate? Exploring Le Havre's dilemmas is an opportunity to reflect on the Le Havre conurbation, its specific features as well as its paradoxes, to try to define its characteristics, role and perhaps its spirit.
Max Yvetot is General Manager of AURH (Le Havre Estuaire de la Seine Urban Planning Agency). A former student of the Ecole Normale Supérieure de Lyon in geography and graduate of the London School of Economics in urban planning, he has notably worked for Greater London, Greater Paris, as well as at the urban strategy consulting agency Strelka KB, in Moscow.
The association Les Gens des Lieux is based on an experimental approach which aims to open up the field of possibilities through temporary architectural and landscape installations allowing people to experience places differently. These interventions - all from Le Havre - seek to highlight the quality of spaces that have become invisible and offer residents the opportunity to invent new stories over the course of a season. (GENIUS projects in partnership with Maison de l’Architecture de Normandie - le Forum)
An architect and member of the Board of Directors of Maison de l’Architecture de Normandie-le Forum, Dorothée Navarre Vatinel is also president of the association Les Gens des Lieux. This collective of Le Havre architects, town planners and landscape planners working within various professional structures, shares the common desire to come together around extraordinary adventures and fully commit, for the duration of an event, to design and create temporary installations in situ.
Marc Vatinel defines himself as a “gardener”, a gardener who practises a specific art: the art of gardens. He created the Pré Carré workshop - both a landscape agency and team of gardeners - with which he designs gardens wherever it’s not a question of "fighting against" but rather "doing with"; where the very idea of a “finished” garden is a contradiction.
Experimental film allows a different approach to the city, active and engaged, through writing and fictionalising the space around you. Marie-Pierre Bonniol will present her programming project for Le Volcan based around experimental film, video art and childhood, as well as a selection of short films that can speak to all audiences about the city, its spaces, its use and representations through creation.
Marie-Pierre Bonniol is an artist and curator. She has degrees in visual arts, aesthetics and art sciences, and works internationally. She is a visual arts curator associated with the Volcan Scène Nationale du Havre as part of the CURA system of the National Centre for Visual Arts. Her project focuses on experimental film, video art and childhood, with the introduction of programmes and workshops throughout the 24/25 season.
The city is a living object that resists the laws of planning. It evolves constantly, carried by the flow, rhythm and heartbeat of its inhabitants. It’s caught up in perpetual movement. But is living in the city really fulfilling? This question arises at a time when land scarcity invites us to re-examine what makes the city desirable.
After cutting his teeth at Bellevilloise (Paris), Maxence Gourdault-Montagne set up a consulting company - Les Apaches - and in association joined Logeo Seine, a social enterprise for housing of the Action Logement movement, a key player in the Seine axis. He works within the Supply Strategy Department of Logeo Seine on the design and assembly of new urban real estate projects that help improve the living experience.
What if we lived in a less consumer-centric world? Yes We Camp brings together voluntary energy to open up living, inventive, supportive places. Co-founder and manager of this associative collective, Nicolas Détrie presents the commitments, method and most iconic projects of Yes We Camp, opening up to renewed intentions after their 10 years of existence.
Trained in town planning and urban economics, Nicolas Détrie is notably co-founder and managing director of Yes We Camp, an association which designs, implements and manages third places and transitional town planning projects. Since 2013, Yes We Camp has opened around fifteen hybrid locations, on built sites or outdoor areas, combining for each project, in conjunction with local partners, social, cultural, artisanal and entrepreneurial functions, as well as ecological, artistic and civic.
Living Landscape is a mixed programming project launched by the City of Reykjavik in Iceland which is transforming the site of a former industrial landfill into an ecological district. Built around the Icelandic landscape, the project contributes to the decontamination of a coastal site. Community House, the new heart of a changing fishing district in the coastal town of Knokke-Heist near the port of Zeebrugge in Belgium, is revitalising the market square with a hybrid vertical programme to host the town's municipal services as well as homes.
JAKOB+MACFARLANE is a multicultural, multidisciplinary architecture, town planning and design agency based in Paris. Founded by Dominique Jakob and Brendan MacFarlane in 1998, the agency has, since its first projects, focused on the idea of an experimental architectural laboratory, centred on the questions posed by environmental transition and digital culture.
Make the former - a conventional learning environment - a lever to better understand your environment; develop interactions within the latter and with the entire urban region to design together; use games in public space to better discover and understand it. So many avenues for action where public space and learning come together, which Paul Emilieu will attempt to explain via a selection of projects run by Emilieu Studio.
Paul Emilieu Marchesseau, interior designer and architect, campaigns for an integrative practice of ecology in interior architecture. He teaches in several schools (Camondo, Ensa-PB, ENSCI). In 2019, he founded Emilieu Studio, an interior architect/designer agency based in Paris. Aware of the environmental issues, digital and ethical transition our society faces, Emilieu works mainly on projects aimed at improving the conditions and relationships between man and his space.
THE CITY THAT DIDN'T EXIST.
The multiplication of crises linked to the accelerated degradation of terrestrial habitability, makes cities a problematic place.
Grégory Chatonsky is a French-Canadian artist. He has been creating objects between materiality and digital since 1996. He has exhibited at the Palais de Tokyo, the Centre Pompidou, the Jeu de Paume, the MOCA Taipei, the Museum of Moving Image, the Hubei Wuhan Museum. Since the mid-90s, Grégory Chatonsky has been working on the Web. Over the years, he has turned to the ability of machines to produce almost autonomously results that resemble human production. These issues have converged thanks to the artificial imagination that uses the data accumulated on the Web as learning material to produce a resemblance.
PUBLIC SPACE AS A FERTILE GROUNDFERTILE
How to imagine a work that tells the origin of the wind? How to propose a reciprocal relationship between a work and a neighbourhood in full development?
Isabelle Daëron is an artist-designer who uses natural resources to design objects connected to their environment. She uses water, wind and light to create shapes that highlight the resources available on the territory. Through her installations and projects in urban space, she questions the importance of contemporary environmental issues.
A PORT UTOPIA
Who was born first? The port or the city? Can one be without the other? Which of the two feeds the other?
Jean-Denis Salesse, DPLG architect graduated from Paris La Villette, is the founder of Ax'6 Architecture. He has implemented a wide range of projects, from the construction of PLU to that of container terminals, or the development of urban squares and public buildings. In charge of relations between cities and ports, he collaborates in the realization of multiple projects, such as « Réinventer la Seine et ses Canaux », "Réinventer Le Havre", the development of the Southampton Quay, the creation of the Port Center or even "Un Été Au Havre" launched during the 500th anniversary of the port city of Le Havre.
’1 IMMEUBLE, 1 OEUVRE’
Launched in 2015, the "1 Immeuble, 1 Œuvre" charter brings together under the aegis of the Ministry of Culture more than 70 real estate players who undertake to commission a work of art from an artist for any building built or rehabilitated.
Founder and Chairman of the Supervisory Board of the Emerige Real Estate Group, one of the major players in Greater Paris. Laurent Dumas is a passionate collector and a patron committed to the defense of the French art scene. In 2014, he created the "Bourse Révélations Emerige", a real springboard for young French artistic creation. He is also at the initiative of the program "1 Building, 1 Work" under the aegis of the Ministry of Culture, one of the most ambitious artistic commission programs in France.He is Chairman of the Emerige Endowment Fund and Chairman of the Board of Directors of the Palais de Tokyo.
LIFE AND DEATH OF A WORK IN THE PUBLIC SPACE
Questioning the time and spaces of works in public space. How are works of art chosen, produced and lived in the public space?
Professor and researcher, her research focuses on art in public space, the organization and missions of museums and sustainable development in the cultural field. Lucie Marinier was Director of Cultural Affairs for the City of Créteil. For the City of Paris, she led the reform of artistic teaching and amateur practices, then the performing arts office. She was also advisor for culture in the office of the mayor of Paris, Bertrand Delanoë, secretary general of the Museum of Modern Art and co-director general of the Carreau du Temple.
WHEN ART INVESTS AGRICULTURAL AND FOREST TERRITORIES
How art makes it possible to federate a community of inhabitants and communes on kilometers of forest roads.
Since 2008, Pascal Yonet has directed the association Vent des Forêts in the Meuse department, a contemporary art center of national interest dedicated to research, production and artistic dissemination in agricultural and forest areas. A philosopher by training, he was deputy director of the Centre national de l'édition et de l'art imprimé (Cneai - Chatou) from 2001 to 2008.
WHEN THE MUSEUM BECOMES A COMMUNITY
In the summer of 2022, Peter Gorschlüter created the Folkwang and the City festival, with the idea of extending the museum throughout the city of Essen to the different communities that make it up, involving public authorities and associations, entrepreneurs and traders, designers and activists, urban planners and elected officials, humanitarian organizations and foundations, local actors and artists. This dialogue has generated many projects that question, each on their own scale, the future of the city...
Art historian and curator. After eight years as Deputy Director of the Museum of Modern Art in Frankfurt, he has been director of the Folkwang Museum Essen since 2018. In 2021, he received an honorary chair "Art and the Public" at Folkwang University of the Arts.